I downloaded the Reality Studio copy of Fuck You / A Magazine of the Arts No 5 Vol 7 “The God Issue” One motivation was that I knew I was missing a few pages, and maybe you had them (it turns out you had one, but not the other I was looking for). I did a detailed comparison and found a number of variations between the RS copy and mine.
Pages missing from my copy of Fuck You / A Magazine of the Arts No 5 Vol 7 “The God Issue” (Page numbers based on pages numbered in Reality Studio pdf copy)
p. 3 (second page of contents) p. 30 (Gregory Corso page 1, “God Is A Masturbator”) p. 30A (we are both missing Gregory Corso page 2) p. 64 (Al Fowler page 1, “junky / ‘cross the green track”) p. 65 (Al Fowler page 2, “LARSON O.D.’s; FOWLER SCARED SHITLESS” and “HEROIN”)
The subsequent pages of Al Fowler are in a different order: RS AF page 3 (“TAKEOFF”) is my AF page 4 RS AF page 4 (“THE ROOM, JUNK WITHDRAWAL”) is my AF page 3 RS page 5 (“junky ii - speedball”) is the same as mine.
However, my first two pages of AF are different than yours: My AF page 1 is on orange paper and begins “a bitter taste in my mouth / of a new york dawn” My AF page 2 is also on orange paper and begins “flouting my dignity, my desire to sit stupefied / all night, nursing the junk in my veins”. Also, at top right it reads “AL FOWLER, O.S.Mf.”
I also have the back cover page on mine (“DOPE-FREAKS ARISE!”) with drawing, colophon, and notes on contributors. Also, the second and third pages of notes on contributors are reversed in order and, like the back cover, face the back of the magazine.
The last two pages of John Weiners are in reverse order in my copy (pages 11 and 12 of RS copy are pages 12 and 11 of mine)
In my copy, Antonin Artaud (RS pages 69-70) comes after Philip Lamantia (RS pages 71-72).
Colors of many pages are different, for example the Burroughs page (Page 20 in the RS copy) is in blue, not white.
For what it’s worth, my copy of this issue was purchased for $5 at a yard sale in State College PA in the mid-1990s. It was the only really worthwhile thing between some truly overpriced beat-up albums (I remember the Plasmatics and Ornette Coleman in there) and a hardback copy of Stranger in a Strange Land with a drawing in gold ink on the cover (added by a previous owner). I picked up the magazine (I had never seen a copy before), handed the guy a $5 bill and he bowed slightly, acknowledging my good taste.